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What is the birth name of Byron Beck? A lovely young Italian countess falls in love with him, and breaking her family ties for his sake, devotes herself to him, and in blissful retirement with her he finds at last that domestic life for which he was so fitted.
Soothed, calmed, and refreshed, he writes Don Juan, which the world is at this late hour informed was a poem with a high moral purpose, designed to be a practical illustration of the doctrine of total depravity among young gentlemen in high life. Under the elevating influence of love, he rises at last to higher realms of moral excellence, and resolves to devote the rest of his life to some noble and heroic purpose, becomes the savior of Greece, and dies untimely, leaving a nation to mourn his loss.
She informs the world that Lord Byron wrote his autobiography with the purpose of giving a fair statement of the exact truth in the whole matter, and that Lady Byron bought up the manuscript of the publisher and insisted on its being destroyed unread, thus inflexibly depriving her husband of his last chance of a hearing before the tribunal of the public. As a result of this silent, persistent cruelty on the part of a cold, correct, narrow-minded woman, the character of Lord Byron has been misunderstood, and his name transmitted to after ages clouded with aspersions and accusations which it is the object of this book to remove.
Already we are seeing it revamped in magazine articles, which take up the slanders of the paramour and enlarge on them and wax eloquent in denunciation of the marble-hearted, insensible wife. She remembers hearing her father recount at the breakfast-table the facts as they were given in the public papers, together with his own suppositions and theories of the causes. The stricter moralists defended her, but gentler hearts throughout all the world regarded her as a marble-hearted monster of correctness and morality, a personification of the law unmitigated by the gospel.
Literature in its highest walks busied itself with Lady Byron. Of the state of his mind on leaving England, I have already endeavored to convey some idea, and among the feelings that went to make up that self-centred spirit of resistance which he then opposed to his fate, was an indignant scorn for his own countrymen for the wrongs he thought they had done him. For a time the kindly sentiments which he still harbored toward Lady Byron, and a sort of vague hope, perhaps, that all would yet come right again , kept his mind in a mood somewhat more softened and docile, as well as sufficiently under the influence of English opinions to prevent his breaking out into open rebellion against it, as he unluckily did afterward.
We should like to know what the misrepresentations and slanders must have been, when this sort of thing is admitted in Mr. During all these years, when he was setting at defiance every principle of morality and decorum, the interest of the female mind all over Europe in the conversion of this brilliant prodigal son was unceasing, and reflects the greatest credit upon the faith of the sex. He was metaphorically on his knees in penitence, and confessed himself a miserable sinner in the loveliest manner possible.
Such sweetness and humility took all hearts. Lady Blessington, among many others, took him in hand five or six years afterward, and was greatly delighted with his docility and edified by his frank and free confessions of his miserable offences.
Nothing now seemed wanting to bring the wanderer home to the fold, but a kind word from Lady Byron. Any one who would wish to see a specimen of the skill of the honorable poet in mystification will do well to read a letter to Lady Byron, which Lord Byron, on parting from Lady Blessington, enclosed for her to read just before he went to Greece.
He says: —. I was perfectly sincere when I wrote it, and am so still. But it is difficult for me to withstand the thousand provocations on that subject which both friends and foes have for seven years been throwing in the way of a man whose feelings were once quick, and whose temper was never patient.
I burnt your last note, for two reasons: firstly, it was written in a style not very agreeable; and, secondly, I wished to take your word without documents, which are the worldly resources of suspicious people. She will then be six, so that in about twelve more I shall have some chance of meeting her; — perhaps sooner, if I am obliged to go to England by business or otherwise.
Recollect, however, one thing, either in distance or nearness; — every day which keeps us asunder should, after so long a period, rather soften our mutual feelings, which must always have one rallying-point as long as our child exists, which I presume we both hope will be long after either of her parents.
We both made a bitter mistake; but now it is over, and irrevocably so. For, at thirty-three on my part and a few years less on yours, though it is no very extended period of life, still it is one when the habits and thought are generally so formed as to admit of no modification; and as we could not agree when younger, we should with difficulty do so now.
But this very impossibility of reunion seems to me at least a reason why, on all the few points of discussion which can arise between us, we should preserve the courtesies of life, and as much of its kindness as people who are never to meet may preserve perhaps more easily than nearer connections.
For my own part, I am violent, but not malignant; for only fresh provocations can awaken my resentments. To you, who are colder and more concentrated, I would just hint, that you may sometimes mistake the depth of a cold anger for dignity, and a worse feeling for duty.
I assure you that I bear you now whatever I may have done no resentment whatever. Remember that, if you have injured me in aught, this forgiveness is something; and that, if I have injured you , it is something more still, if it be true, as the moralists say, that the most offending are the least forgiving.
I think if you also consider the two corresponding points with reference to myself, it will be better for all three.
The reader is requested to take notice of the important admission that the letter was never sent to Lady Byron at all. During all these years the silence of Lady Byron was unbroken, though Lord Byron not only drew in private on the sympathies of his female admirers, but employed his talents and position as an author in holding her up to contempt and ridicule, before thousands of readers.
We shall quote at length his side of the story, which he published in the first Canto of Don Juan, that the reader may see how much reason he had for assuming the injured tone which he did in the letter to Lady Byron quoted above. That letter never was sent to her, and the unmanly and indecent caricature of her, and the indelicate exposure of the whole story on his own side which we are about to quote, were the only communications that could have reached her solitude.
In the following verses, Lady Byron is represented as Donna Inez, and Lord Byron as Don Jose; but the incidents and allusions were so very pointed, that nobody for a moment doubted whose history the poet was narrating. This is the longest and most elaborate version of his own story that Byron ever published; but he busied himself with many others, projecting at one time a Spanish Romance, in which the same story is related in the same transparent manner; but this he was dissuaded from printing.
The booksellers, however, made a good speculation in publishing what they called his domestic poems, — that is, poems bearing more or less relation to this subject. Every person with whom he became acquainted, with any degree of intimacy, was made familiar with his side of the story. The true history of Lord and Lady Byron has long been perfectly understood in many circles in England, but the facts were of a nature that could not be made public.
But the time is now come when the truth may be told. All the actors in the scene have disappeared from the stage of mortal existence, and passed, let us have faith to hope, into a world singular concurrence of circumstances, all the facts of the case, in the most undeniable and authentic form, were at one time placed in the hands of the writer of this sketch, with authority to make such use of them as she should judge best.
Had this melancholy history been allowed to sleep, no public use would have been made of them; but the appearance of a popular attack on the character of Lady Byron calls for a vindication, and the true story of her married life will, therefore, now be related.
Lord Byron has described, in one of his letters, the impression left upon his mind by a young person whom he met one evening in society, and who attracted his attention by the simplicity of her dress, and a certain air, of singular purity and calmness, with which she surveyed the scene around her.
On inquiry, he was told that this young person was Miss Milbanke, an only child, and one of the largest heiresses in England. Lord Byron was fond of idealizing his experiences in poetry, and the friends of Lady Byron had no difficulty in recognizing the portrait of Lady Byron, as she appeared at this time of her life, in his exquisite description of Aurora Raby.
Some idea of the course which their acquaintance took, and the manner in which he was piqued into thinking of her is given in a stanza or two. For instance, when Don Juan sits silent and thoughtful amid a circle of persons who are talking scandal, the poet says: —.
In all these descriptions of a spiritual, unworldly nature, acting on the spiritual and unworldly part of his own nature, every one who ever knew Lady Byron intimately must have recognized the model from which he drew and the experience from which he spoke, even though nothing was further from his mind than to pay this tribute to the woman he had injured, and though, before these lines, which showed how truly he knew her real character, had come one stanza of ribald, vulgar caricature, designed as a slight to her.
In fact, she already loved him, but had that doubt of her power to be to him all that a wife should be, which would be likely to arise in a mind so sensitively constituted and so unworldly.
They however continued a correspondence as friends; on her part the interest continually increased, on his the transient rise of better feelings was choked and overgrown by the thorns of base, unworthy passions. From the height at which he might have been happy as the husband of a noble woman, he fell into the depths of a secret adulterous intrigue with a blood relation, so near in consanguinity that discovery must have been utter ruin and expulsion from civilized society.
From henceforth, this damning guilty secret became the ruling force in his life, holding him with a morbid fascination, yet filling him with remorse and anguish and insane dread of detection. Two years after his refusal by Miss Milbanke, his various friends, seeing that for some cause he was wretched, pressed marriage upon him. Marriage has often been represented as the proper goal and terminus of a wild and dissipated career, and it has been supposed to be the appointed mission of good women to receive wandering prodigals, with all the rags and disgraces of their old life upon them, and put rings on their hands and shoes on their feet, and introduce them, clothed and in their right minds, to an honorable career in society.
Marriage was therefore universally recommended to Lord Byron by his numerous friends and well-wishers; and so he determined to marry, and, in an hour of reckless desperation, sat down and wrote proposals to two ladies. One was declined. The other, which was accepted, was to Miss Milbanke. The world knows well that he had the gift of expression, and will not be surprised that he wrote a very beautiful letter, and that the woman who had already learned to love him fell at once into the snare.
Her answer was a frank, outspoken avowal of her love for him, giving herself to him heart and hand. The good in Lord Byron was not so utterly obliterated that he could receive such a letter without emotion, or practice such unfairness on a loving, trusting heart without pangs of remorse. He had sent the letter in mere recklessness; he had not seriously expected to be accepted, and the discovery of the treasure of affection which he had secured was like a vision of lost heaven to a soul in hell.
But, nevertheless, in his letters written about the engagement, there are sufficient evidences that his self-love was flattered at the preference accorded him by so superior a woman and one who had been so much sought. He mentions with an air of complacency that she has employed the last two years in refusing five or six of his acquaintance; that he had no idea she loved him, admitting that it was an old attachment on his part; he dwells on her virtues with a sort of pride of ownership.
Ella asks Aria what's wrong and Aria tells her to go away. Ella says she won't until Aria tells her why she's upset. Aria reveals to her that Ezra is leaving and so Byron's getting his wish. Ella is confused, but Aria doesn't believe that Ella wasn't a part of the scheme to get Ezra out of their lives. With some cutting words, she storms out.
Later, Aria and Ezra eat and talk at Ezra's apartment. Aria wonders when he is leaving because it feels like he's left already. He assures her he won't be leaving right away. There is a knock at the door. Ezra opens it to find Ella. Initially surprised, then prepared for the fallout, he lets her in.
Outraged, Aria wants to know if Ella plans to bring her home in handcuffs or just yank her out by her hair. Ella says neither. She came to listen. Father Knows Best. Aria packs her books for school and Ella tells her Byron will be returning home today just in time for the father-daughter dance. She asks her mom to try to convince him Ezra is not a bad guy, but Ella can't promise anything.
They agree to keep the conversation from the night before to themselves until Ella can wrap her head around their relationship herself. The next morning after the dance, Ashley makes Ella coffee and tells her about Aria's lie. She is sure the girls are all lying about something or someone namely "A" they are afraid of.
Ella reveals that "A" sent her family a letter with personal information in it. Ashley tells her to get the police involved, but Ella is hesitant because "A" knows things that could hurt Aria. Nonetheless, Ashley thinks they owe it to themselves and their daughters to get some answers. A shadowy figure moves outside. Has "A" been listening in the whole time? Eye of the Beholder. Ella shows up to Ezra's office while he is reading papers. He hops up and offers her a refreshment even though all he has is chocolate milk and an apple.
She makes it clear that this isn't a social call and the fact that she is willing to talk about his relationship with Aria doesn't make her an ally.
Compared to Byron, she may seem that way, but the only person she cares about is Aria. Ezra asks if she wants him gone too. Ella pretends not to have an opinion on the matter, but he calls her out on it, and she implies she would like him to take the job in New Orleans as well.
Ezra tells her it does actually matter what she thinks of him. Before exiting, she asks if he knows of anyone ever bullying Aria, or using their secret relationship against her. He says no, so she asks if anyone would try to hurt him intentionally. He says there might have been, but not anymore. Ella reproaches Byron for trying to buy off Fitz. Byron accuses her of defending him and is not happy to hear she went to speak to him, thinking she was sending mixed signals.
He thinks the solution is very simple, but Ella disagrees. She is worried Aria might run away or elope and neither of them want that. If These Dolls Could Talk. Aria comes home to find her mom folding laundry in her room. She angrily brings up the boarding school application, accusing her and Byron of trying to ruin her life.
Ella tries to explain that it's not only about Ezra; she believes Aria is being bullied and needs to be kept safe. Aria believes Ella's heart might be in the right place, but Byron is only trying to punish her. Aria hints at having the ability to hurt Byron's career by revealing his past affair with his grad student. Blood Is The New Black. Ella gives Emily a makeup test but Emily gets distracted and doesn't finish, so Ella secretly completes the test for her, as she feels sorry for Emily because of Maya's untimely death.
She then confesses to having finished the test to Ezra Fitz. She plans to tell the truth to the principal, but Ezra beats her to it, taking the blame for the test, and Ella gets to keep her job at Rosewood High.
What Lies Beneath. Ella is being spoiled by Zack and later kissing which ended when Aria made herself known to the room. Ella later talks about why she isn't only having dates with Zack due to her intuition that probably many girls goes to the coffee shop for him and then goes on to her coffee date. Ella reveals to Aria that she sneaked a bottle of wine from the party they were attending and thought she and Byron would save it. However, they began to drink when they got home, and she had to much and fall asleep.
She also states that Byron was at the house the whole night, but it was confirmed he wasn't. Misery Loves Company. Ella is briefly seen talking to Meredith about a sick Aria. However, when she tries to call Aria when she walks away, Meredith is revealed to have Aria's phone.
Out of the Frying Pan, Into the Inferno. Ella is seen in Spencer's study hall class talking to the teacher and then tries to get her to tell her why she is leaving the room. I'm Your Puppet. Although Ella is not seen, we find out she is home and sick as Principal Arthur Hackett sends some paperwork home with Aria for Ella to sign.
Ella chats with Zack at The Brew. He asks her to go to Vienna, Austria with him for a year long pastry workshop. Ella gives her motherly responsibilities as reason not to go then further says its impractical. She discusses the opportunity with Aria who points out that a year is a long time to be away from someone.
At the end of the episode Aria talk's Ella into going, saying she needs her to be a role model doing something bold and that it would make for great stories for the grandchildren. Aria points out she and Mike will be fine with Byron as long as he doesn't try to cook. Ella is acting strange, so Aria goes to talk to her in the car. Ella reveals that she's not going on the trip with Zack because Mike's not comfortable with her leaving.
Aria is surprised. At home, Aria confronts Mike about what he said to Ella. Mike rudely says she just wants their mom to leave so she can start seeing Ezra again. Aria gets mad, shoves him, and leaves. After hearing about what "A" did to their mother, Aria really wants her to go to Europe with Zack so she won't be able to get attacked by -A any longer.
She knows the further she is from Rosewood, the better. But Ella won't go without Mike being alright with it, so she plans on making sure to sort everything out. Aria tries to convince Byron to convince her to go, and convince Mike to let her go. Byron talks to Mike and tells Ella that he understands her leaving, and that she should enjoy herself in Europe with Zack.
Ella is mentioned. It's revealed that she went to Europe with Zack for a year, and Mike has now accepted it. Ella returns to Rosewood and surprises Aria. She tries to discover what went wrong with Aria and Ezra, causing them to break up, but Aria does not confide into Ella. Aria is annoyed and angry that Ella spent so much time in Vienna and still Zack keeps on calling her. Zack wonders if Ella is shaming him, to which Ella tells him he has no shame, and as Zack is commenting that she is shaming him, he leans down to kiss her.
As Ella mentions that she thinks Mrs Welsh will understand, Noel walks passed and greets Aria before doing the same with Ella. Walking into the Montgomery living room, Ella asks Aria if she was able to get more candles, and Aria says that she did, but they only had scented ones. Packing clothes into a suitcase, and hearing someone come in, Ella tries to wipe away her tears. Entering the living room, Byron says that he thought everyone would be at the party by now, before asking if Ella needs him to, but Ella cuts him off, telling him that it is his house and that he was nice enough to let them use it while he was gone.
Byron mentions that sometimes he still thinks about their first place together, the dump on East 6th, before asking if Ella remembers what the ad called the place. As Ella turns around to face him, Byron envelopes her in a hug and holds her as she cries into his shoulder. Aria tells her mom that she thought Ezra was gone, really gone, and then the whole time he was in hospital, she was just making a list of all the things she would tell him if she just got one more chance.
I'm a Good Girl, I Am. As Aria says that Molly Bormann is ready, Ella looks over to her daughter. Calling out to Aria, Ella makes her aware that there is someone standing in the line. Listening as Kendra questions how else Emily and Spencer would know, Ella watches as Kendra walks off, before looking back towards Emily and Spencer. Songs of Innocence. In the Montgomery household, Ella and Aria talk and hug each other.
In fact, she refused to talk about it until, it seems, shortly before her own death. Nevertheless, it was too late for him to defend himself.
You're right about that. Btw, have you heard? One of the moderators of this blog, Debbie Lynne Costello, has a newly released medieval--Sword of Forgiveness.
You might enjoy it! Thx for stopping by. I just heard about this. I want to believe it, because it adds to his legend of a depraved character. But this article makes it sound like it's just malicious gossip. It's interesting that so much of what we supposedly "know" came from that "vindication" penned by Harriet Beecher Stowe nearly a decade after Lady Byron's death, but rarely do we see any mention of the parallels between the ill-fated marriage of the poet and princess of parallelograms and Byron's sex scandals and those of Harriet Beecher Stowe's own brother, which were erupting into an extremely muddy and family splitting mess of investigations and court cases that kept the scandal sheets running with ink for much of the s in a reckoning that left him without formal conviction and yet not full exoneration, either--and with standards for the conduct of a minister certainly much higher.
I presume that there were many people and methods of correction that could have been applied to remedy the situation of any slights to Lady Byron's reputation, so why was it that Harriet Beecher Stowe felt SHE needed to be the one to get involved and address the matter?
She didn't stop with the article, either, expanding the tale into a full book's worth of material. With decades having passed between the events in question and the two women forming their friendship, contradictions in moral attitudes displayed across the body of writing as she advanced in age, and developing dementia in her declining years, it is astonishing to me that she can be taken at all seriously as a voice of authority on these topics.
Whether he did or didn't, it doesn't affect my enjoyment of his poetry and that is really all that I feel I have a right to pursue. But Lord Byron didn't marry until , and the baby Medora was born in April , so if it did happen, it was done prior to his marriage, with in my estimation negates it being any business of his wife.
She just wanted out of the marriage, he probably wasn't the ideal husband, and used it as her excuse. But I personally feel that gossip either way, whether it was true, or it wasn't true should have been scorned, and not listened to, it only encourages gossipers. To bad they didn't just stop listening and ignore it all, Because really back in that day it would have been pretty much impossible to prove either way, after all, she was married.
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